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[PS4/XOne/Switch/Steam] Nier: AutomataYoko Taro + Platinum Games + Akihiko Yoshida


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#16
vinci.

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dite che sarà difficile per i platinum sviluppare un rhythm game? :pff:


Ho ancora gli incubi :(

#17
reriel

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#18
Hyuga

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Nier!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!



#19
Akumasama

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i Platinum poi.....

Senza nulla togliere ai platinum, non mi fa stare tanto tranquillo sapere che si occuperanno loro non solo della programmazione ma anche cell game design. Nier non era solo un action brawler o un Hack n slash con setting dark Fantasy...

Cioè magari verrà fuori una figata, ma di certo sapere che si occuperanno loro anche cell game design non mi fa bagnare preventivamente.


Ancora non capisco dove o come si colloca questo titolo nell'universo di Nier e drakengaard. Qualcuno ne ha idea?

#20
xizro345

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Non hanno detto un tubo, han detto che avevano iniziato da poco.



#21
xizro345

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A leggere un rapporto su un'intervista che ho visto su Gamenyarth, il gioco è si' connesso, ma non si e' voluto elaborare, precisando anche che personaggi di altri giochi potrebbero comparire, ma non come membri principali.



#22
reriel

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Info varie e scansioni:

 

 


NieR New Project will feature three playable characters, two of which we’ve already seen, director Yoko Taro confirmed during an E3 interview with GameSpot.

We’ve already seen two of them: the white-haired girl featured in the trailer and the small boy we see briefly standing atop a building. The third character has yet to be revealed.

“For this new NieR, we kept an action RPG mindset and thought, this time we want to hit out a great, high-level JRPG, so we’re going to stick to one character design,” producer Yosuke Saito said.

 

“Platinum is great at creating action games, and we’ve asked them to make things a little more simplified, slightly. At first I thought it was going to be a battle-heavy action game, but luckily for us, a lot of Platinum Games’ staff members really respect NieR and took it to heart, and understand the project.

“We’re really fortunate in that they essentially took the battle system and the game design of the original NieR and added Platinum Games-type elements on top of it to make this hybrid if you will. It’s not like it’s a completely new game, they really have respect for the previous game.”

 

Taro and Saito explained that the new game is focused on creating an original story within a game world, and won’t follow the narrative of the original. As confirmed in Weekly Famitsu, players can expect several NieR character cameos. While these kind of connections will be there, Taro emphasized that newcomers won’t feel alienated if they haven’t played the original, but returning players will enjoy the nods and easter eggs to the original game.

The original NieR had five different endings based on player choice, and that encouraged players to go back and play again. There was also one ending that, based on your choice, deletes your save file when the game comes to a close. This won’t be repeated in the new game. Maybe.

 

“We are going to maintain that multiple playthrough idea for the new project, but in terms of the save file deletion thing, we probably won’t do it, since we did it in the original one and want to do new things,” Taro explained. “But we will have multiple playthroughs involved. But you know… we’re still in early phases of development. Maybe we will delete you save files.”

 

Level design in the original game contained a mesh of different genres. The game was a third-person action RPG for the most part, but for some fights, the game would use a top-down perspective, side-on platformer perspective, or even shoot-em-up perspective. The new game likely won’t have the same genre mesh.

What NieR New Project will retain is the tone of the original game and the Drakengard series, its mature subject matter and approach to dialogue and presentation, and not shying away from violence and sexualization.

Drakengard was my first game as director, and we were actually told a lot by our advisory board to do retakes and make changes and honestly, I said, screw this, I’m not making another one,” Taro said.

 

“I thought, with NieR, I’m going to make a normal game. That’s what I tried to make, a normal game, though people think it’s very dark and somber. But for me, that’s normal.

“The way I look at original NieR is like your mom’s home cooking: it may not be the best, but it’s okay, you’re comfortable with it. Members of the media told me the original NieR is like a puppy someone threw out. It’s cute in a way, but there’s something wrong in a sense, and you can’t help but love it even though there’s something missing and you can’t put your finger on it.

 

“But now we’re working with Platinum Games, and with [Akihiko] Yoshida and [Keiichi] Okabe, and we feel we have these great ingredients now. Is it going to be too perfect? We have all these great chefs, if you will, working together, and now, is it going to be missing that thing that made it so endearing to our fans? But after thinking about it, we think, we’re just going to try it and see how it goes.”

 

A release date for the new NieR has not been announced. But whenever it does release, it will be in a single version. The original NieR released in two forms in Japan—NieR Replicant for PlayStation 3 and NieR Gestalt for Xbox 360. The former featured a younger, teenage protagonist geared towards Japanese audiences, while the latter a middle-aged protagonist geared towards western audiences. The latter was released as NieR for both platforms in North America and Europe, with Replicant never leaving Japan. Now, the developers believe the time has passed for treating each market so differently.

http://gematsu.com/2...able-characters

 

 

 


 


Is the world of this game tied to that of the previous game?

Yoko: “The setting is connected, but that doesn’t mean the story is connected. This game is set in the future, so it’s okay if you start with this game. Rather, people who played the previous game and come into this thinking it’s a sequel might be confused.”

Will characters from the previous game appear?

Yoko: “Not everyone, but some characters will appear. But not as core characters.”

What will the game’s CERO rating be?

Yoko: “We made the previous game with the intention of a B or C rating, but got a D. We’re making this one in hopes of getting an A, but…”

http://gematsu.com/2...ning-characters

 

 

And some notes:

  • Weapon-based action is at the game’s core. There might also be some familiar shooting.
  • There’s a rotational element (360-degree camera view?), but it’s apparently different from the previous game.
  • Drakengard‘s familiar “Weapon Story” system will be in the game.
  • Development is 10 percent complete.

More details on NieR New Project are expected in the fall.

http://gematsu.com/2...ning-characters

 

 

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#23
sonuccio

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la tipa è una gnocca...mi piace un casino



#24
Matte44

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la tipa è una gnocca...mi piace un casino

Bravo Sonuccio hai buon'occhio. ;)



#25
Akumasama

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Mi ispira molto, e i commenti sul "rispetto" che Platinum prova per Nier mi tranquillizzano.
Spero siano veri e non solo fuffa.

#26
reriel

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Intervista a Yoko taro e Yosuke Saito:

 


The first NieR came out in 2010, and I don’t think anyone expected a sequel. What made you go back to this IP?

Saito: “Yes, I was the producer on the original title that came out five years ago. Yoko-san was also the director on that project. And we have Okabe-san, who was very well accepted for the composition and soundtrack of that game. At the time, we had contacted a company called Cavia for the development of the actual game. The core NieR staff is actually made up of a lot of Dragon Quest staff members who’ve worked with me on previous Dragon Quest titles over the years. It’s basically an action RPG.

 

How does this connect to the original NieR?

Taro: “In terms of the story, they’re not actually all that connected. The world is shared, but we really went and made this a game you can enjoy without having previously played the original NieR.”

 

In addition to yourselves, you’ve got the rest of the Platinum team, Keijii Okabe on music, it’s a dream team of talent. How did you pull together that kind of team?

Saito: “Yeah, it’s been about five years since the last game and, based on a lot of the fan feedback we received, we really wanted to make another game in this IP. There were a lot of points we wanted to address where we felt we could’ve done better. Taking all of that feedback and the things we learned from the previous game, we thought the character design was something that we can work on. So we reached out to Akihiko Yoshida, who was famous obviously for Final Fantasy XII and Bravely Default, and we approached him with the thought that he might turn us down. But fortunately, he said, ‘yes, let’s do this,’ so we’ve been blessed to have him on board.”

 

Speaking of which, I understand you guys brought a video message from some staff who couldn’t be here today.

Saito: “Yes, that’s correct. I was actually manning the camera myself. The footage may not be that great, there may be some shaking, but everything is in there as I filmed it.”

[Video Plays]

Saito: “It’s pretty good filming, isn’t it?”

Taro: “That was horrible.”

Saito: “It was very tough [to get those developers together like that]. I consider that 90 percent of my job done. I’ll leave the rest to Yoko-san here.”

 

The NieR series has always had a lot of strong themes and a very deep backstory. Where will this one go in terms of that?

Taro: “For me, I don’t actually give it a whole lot of deep thought when coming up with the themes. There’s not really this deep theme for me personally. If the fans have read into it and attached to a certain theme, or think that there’s a certain theme to it, I think that’s great. But for me, I don’t go into it with anything pre-planned. I don’t give a whole lot of deep thought. It’s sort of on the whim, or in the moment.”

Saito: “He’s shown me the plot for this new game, and he said he wants to make it end with a happy ending. But we’ll see if that actually happens. No matter how you read it, there’s no way it can end happily, if you ask me.”

 

Yeah, I remember the ending to the last one.

Saito: “Yeah, he thinks that’s a happy ending, too.”

Taro: “It’s usually a happy ending.”

 

The trailer looks to feature a ruined, lonely world. And you have this female protagonist. Will she have any relation to the series’ previous characters?

Taro: “None at all, no.”

 

What then, in your mindset, makes this set in the NieR universe? What gives it that feel?

Taro: “There’s nothing really that sticks out to me personally, as far as being really NieR-esque, if you will. But it just is this image that sort of floats into my mind as I’m working.”

 

How much direction would you say you’re providing on the character designs?

Taro: “Usually, I don’t really give much feedback and direction in terms of character design. But with Yoshida-san joining the project a little later than we normally have character designers join, we already had the setting of the place in mind. So I really asked him to make a sleek design focusing more on blacks for the coloring.”

 

Is there anything you can give us about the trailer cliffhanger? Words are very powerful within NieR.

Taro: “As far as NieR goes, if people thought the power of words were great and a big part of the game, that’s great, because I wasn’t really planning that. It just came about that way from how the game was made. As far as the text you see at the very end of the trailer, I can’t say anything. It’s still a secret.”

 

It seems there are a lot of happy coincidences with NieR. It’s amazing the amount of depth that comes out when you don’t try.

Saito: “He probably has an image in his head.”

Taro: “It’s scary to think how serendipity works.”

 

What is Platinum Games bringing to the game’s combat?

Taro: “As far as the battle system go, Taora-san, who you saw in that little clip, he’s a little young, but he’s also amazingly talented. He works under me, but he makes work that far exceeds any direction I give him. So I’ve been blessed. In terms of the sword action, he’s just amazing with that. So I’m pretty much just leaving it mostly up to him. Most of our staff is very young, but they have a lot respect for the previous NieR. So we’ve been blessed in that regard, as well. One worry that we did have was that it’d become too battle-centric of a system and not be as open to new players. But fortunately, because of their familiarity with the previous game, it’s become speedier, more action-oriented, and I think it’s becoming a great battle system.”

 

Is the balance between Platinum Games’ action strengths and NieR something you’re overseeing? Or are you just letting them role with it?

Taro: “This was actually something that Saito-san told me: to make it more open to RPG fans. Because a lot of fans of NieR are RPG fans, and if you have a too action-oriented battle system, it just seems impossible for RPG fans to enjoy. So we’ve been really focusing on making it more open to more RPG-focused gamers out there so that they can also enjoy it. That’s our goal.”

 

The original NieR had a mesh of genres within it. Will the sequel have those kind of curve balls?

Taro: “In terms of the varied gameplay, we do have plans to include some kind of varied gameplay. But we don’t want to do a carbon copy of the previous game because, for one, I think it gets stale if you just copy what you previously did. We have a couple of ideas. Honestly, we’re still debating on whether to incorporate something along the lines of a text adventure part, because I’ve heard that western gamers don’t like text adventures, so I’m curious if western fans would actually enjoy that.”

Taro: “In terms of that balancing act, NieR wasn’t really balanced, it was very mixed. I think it was fine if you can enjoy it. In terms of the text adventure parts, if we get a lot of feedback, that’s something I would definitely consider putting in based on fan comments.”

Saito: “I think Yoko-san just has to make up his mind.”

Taro: “I think I’m just gonna toss a big dice to make up my mind.”

 

What can we expect from Okabe on the music?

Taro: “Yes, Okabe-san’s music was very well received. When we asked him to work on the game this time, we asked him to keep in mind that we didn’t want just another carbon copy, we didn’t want to do the same thing. We want him to keep challenging himself and create new tracks and a new feel for this world. Regarding that unique language [from the original game], it was actually recorded from a person called Emi Evans. So we want to reach out to her and have her involved again, because it is so unique and it did add so much flavor to it. But one thing we’re worried about is that she’ll say no.”

 

I do hope that kind of thing will come back.

Saito: “The music and score always gets a lot of high praise, but honestly, it gets a lot more praise than the actual praise itself. And I don’t know how to put it, but it’s sort of frustrating at the same time. As Yoko-san said himself, in English, it’d be, ‘I am jealous.’ I’ve actually asked Okabe-san and Yoko-san here to incorporate some rearranged tracks from the previous ones because we’ve gotten so much positive feedback on it. And I’ve asked them to include several tracks if possible. So I hope all the fans who’ve played the original game will be waiting in anticipation to play this new one.”

 

Since we were talking about the ending earlier, there was one ending that left the player with a very terrible choice to make. What kind of role will that kind of choice, or player choice in general, play in the game?

Taro: “Something along those lines, maybe. But I don’t want to do the exact same thing, because it wouldn’t be fun or interesting, it’d get stale and old. But in some form or another, something maybe similar to that kind of feature may appear in the game.”

Saito: “The previous game was a very shocking design in terms of a game. There were a lot of features in the game that caught people off guard and it wasn’t something you’d expect from a game, really. Personally, I didn’t think that you can really surpass that, because it was so unique and original. But Yoko-san here I guess has some ideas and plans to surpass the original.”

 

That’s what people want—to be shocked and taken into a new direction.

Taro: “I don’t want too much anticipation. If you put too much pressure on me, then we won’t be able to meet those goals and everybody’s expectations. So please keep your expectations understandably high. But not too high!”

 

Is there anything you want to say before we wrap things up?

Taro: “There’s a lot of things I want to talk about, and here’s a couple points. As a lot of you are probably aware, the home console market isn’t as great as it once was, it’s sort of in decline. So to be able to work on a project with staff and a company such as Square Enix and Saito-san who are willing to spend the money—because let’s face it, creating and developing games for home consoles costs a lot of money—it’s not just a challenge that they’re willing to take on, I think they’re borderline crazy for giving us the greenlight on this. Another thing is the fan support. We have great fans, especially for NieR, very vocal fans. Saito-san has a Twitter feed and Facebook, and he receives a lot of comments from those passionate fans. I think we have a lot of support and that’s one of the reasons that we’ve been able to do this. So I just want to say thank you to all those fans.”

 

I’m sure they appreciate every word of that. No one expected that to come back. But the reactions were all shock and joy.

Taro: “Thank you very much.”

Saito: “I have several points, but the first one, getting back to the NieR fans that Yoko-san talked about. Obviously we have a lot of JRPG fans, but we also have a lot of female gamers who are big fans of NieR and gave us a lot of support. So when we were reaching out and talking to have Platinum Games involved on this project, one concern was whether it’d be too difficult given their action pedigree. Would it be too difficult for those gamers or other gamers to get in the game. But as you saw in the previous video message, we have an understanding in place to have that balance, so even those female gamers, or those who aren’t as familiar or good at action games can still enjoy it. So I want to tell all those people who are a little hesitant to try it out, because they hear Platinum Games and think it’s going to be a completely action-oriented game, we have you in mind and you should be able to enjoy it. So please, don’t be scared.”

 

I think they’ll be fine. I know a lot of female action gamers that can destroy me.

Saito: “What I want the fans to really understand and look forward to is, you should be able to use amazingly flashy and cool action combat with simple controls. It won’t be that hard to pull off.”

Taro: “And [Platinum Games game designer Takahisa] Taura-san is actually putting in a lot of effort. Because we’re not actually simplifying it to the effect that we’re making it so simple that skilled players won’t have fun. So for the people who aren’t experienced, they can have fun with those simple controls. But for the skilled individuals, they can still get into it. There’s still a lot of need there. There’s a lot of depth to it. So that’s something he’s really focusing on and making into a great battle system.”

 

Do you have multiple difficulty modes?

Taro: “That’s actually something that we’re debating internally right now—whether we should include difficulty settings. Do you think we should include them?”

 

I don’t want to make that call. But as you said, there are skilled gamers who might want to play on a higher level of difficulty. But then there are some players who will play on easy, if given the option.

Saito: “I can’t go into too much detail because it hasn’t been finalized yet, but there may be some kind of system in place of difficulty settings.

“I know a lot of people are anticipating this game, but looking at the staff, we have [talented staff list], and they’re all very passion-filled people and extremely talented, so honestly, I might be the most giddy of the development staff. Because thinking of the talent we have on board, I’m just wondering what kind of amazing game we can put out.

“It’s a great thing when you think about it. It’s been five years since we released the original NieR, we’re obviously at the very early stages of development, so there’s a lot of things we still need to plan and finalize, but at the end of the trailer, something along the lines of ‘More information to come in fall of this year’ is there, and I do want to get some things in line to finalize and share some stuff around that time.”

 

Last request from me. If you do a soundtrack and art books, make sure we get them in the west.

Saito: “Can our staff from Japan hear? We have a request.”

http://gematsu.com/2...s-happy-endings



#27
Hastur

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Alcuni nuovi dettagli emersi da un'intervista per Dengeki. Curioso di sapere chi sia questo personaggio che non hanno voluto rivelare :sese:

 

 

  • The story takes place in the future of the first title, so Gestalt and Replicant are in the game.

 

  • Nier, Yonah, Kainé are names that will likely have a chance of being mentioned in the upcoming game. Yoko says that Emil will appear. Accord from Drakengard 3 will also be mentioned by name. While they didn’t reveal the name, they say that ____ will be in the game as well, and Dengeki were really surprised to hear about this.

 

  • Yoko says that he believes the game will have a happy ending, this time around. PlatinumGame’s game designer Takahisa Taura for Nier 2 reacted with a “huh?!” and Square Enix producer Yosuke Saito reacted by saying “from what I’ve seen in the scenario, how the heck is it supposed to have a happy ending?! I can’t imagine how,” to which Yoko responded to the two with “I’m telling you, it’ll be a happy ending. You don’t need to look so worried.”

 

  • The “Robot Mountain” will also be in the second game, but it remains unknown whether it’ll be in the same spot.


     
  • The concept art that depicts a ruined city is not Shinjuku.


     
  • The concept art of the forested area is called “Castle of the Forest” in its current development stage.

 

newniertenshi_150619_thumb.jpg

  • The above symbols read “Doll, Human, Machine,” but we still don’t know the significance behind the three words.

 

  • Even if you’re not great at videogames, you’ll be able to beat the game, and it’s being balanced to have enjoyable action. Taura says that this will be the basis of the project.

 

  • A lot of the staff from PlatniumGames actually really loved Nier, and they’re working on the new title with much respect to the previous one. They couldn’t share other details, except that it will be “very Nier”.

 

  • There will be multiple playable characters, and you’ll go through the game as you switch through them. (According to other interviews, there will be three playable characters.)

 

  • Instead of being able to switch through different characters whenever you want, they’re thinking about a style that will switch according to how you progress through the game, and for new games, and such.

 

  • Characters with the same weapons will have different actions. They’re working on something that will allow you to connect your combos.

 

  • There will be other things to ride besides boars.

 

  • Bravely Default designer Akihiko Yoshida has been busy with his work at CyDesignation, but after he was influenced by a certain enthusiastic female Nier fan from their staff, and even from the CEO who is a huge Nier fan, he decided to take the offer.

 

  • Taura says that he had ideas for smartphone and PlayStation Vita games, but he has strong feelings for Nier so he wanted to make a compromise for it. After gathering the best staff, he was determined to give it all he’s got for the new Nier game.

 

  • Yoko says that he believes Nier is something that is valued beyond being a game, and he still even the creators don’t know exactly what is it that attracts people to it. That said, he doesn’t feel like he’ll be able to reproduce that same exact feeling in the new game. For that reason, he believes that it will be a new Nier with a different taste to it.

 

  • As far as development goes, the new Nier game’s scenario and plot is practically done, and it’s more of a “Yoko’s world” than before.

http://www.siliconer...g-says-creator/



#28
Hyuga

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Nier insieme a The Last Remnant li reputo i migliori jrpg della scorsa generazione...  ci metto subito dopo X



#29
reriel

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Scansioni da Dengeki Playstation, niente di nuovo (è incluso anche uno spazio per Nier Replicant) ma le posto ugualmente:

 

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#30
Greasy_is_better

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Ecco, questo mi ispira a bestia :sisi:

Buono :sisi:






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